{"id":14414,"date":"2023-04-19T10:54:18","date_gmt":"2023-04-19T08:54:18","guid":{"rendered":"https:\/\/www.galleriabazzanti.it\/fontana-nettuno-piazza-signoria-naiadi-di-bronzo\/"},"modified":"2023-04-20T10:27:33","modified_gmt":"2023-04-20T08:27:33","slug":"neptune-fountain-piazza-signoria-bronze-naiads","status":"publish","type":"post","link":"https:\/\/www.galleriabazzanti.it\/en\/neptune-fountain-piazza-signoria-bronze-naiads\/","title":{"rendered":"The Fountain of Neptune in Piazza Signoria and the bronze “Naiads”"},"content":{"rendered":"

[vc_row full_width=”stretch_row” css=”.vc_custom_1681286261464{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2023\/04\/blog-naiadi-sfondo00.jpg?id=14321) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”The Fountain of Neptune in Piazza Signoria and the bronze “Naiads“” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_empty_space][vc_column_text]<\/p>\n

Duke Cosimo I had commissioned the construction of the Biancone fountain at the north-east corner of Palazzo Vecchio<\/a>, so that the central figure of Neptune would be in line with the other large statues of Michelangelo’s David<\/a> and Hercules and Cacus of Bandinelli.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14328″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681309911697{margin-top: -30px !important;}”]Piazza della Signoria, Firenze<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

The project for a fountain in Piazza della Signoria is mentioned for the first time in a letter from Bandinelli to Jacopo Guidi dated March 1550.
\nIn 1559 Vasari went to Rome and proposed Ammannati’s project to Michelangelo, in which Neptune has his arms raised.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14334″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681913729931{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Anonymous, project for the Square’s Fountain, 1560, Louvre, Recto<\/em><\/td>\nAnonymous, project for the Square’s Fountain, 1560, Louvre, Verso<\/em><\/td>\nReconstruction of the project for the Square’s Fountain from the anonymous drawing in the Louvre<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

As can also be seen on a medal by Pier Paolo Galeotti from 1565 relating to the project for the fountain, Neptune actually has his arms raised.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14344″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681913946896{margin-top: -30px !important;}”]Cosimo I medal, Pier Paolo Galeotti, 1556-1567, Bargello Museum<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

With Michelangelo’s consent it was easy to convince Cosimo I to assign the task of the fountain to Ammannati (also because Bandinelli had died in 1560) who gave a quick look at Cellini’s project but without even looking at the projects of other competitors such as Giambologna, Danti (and perhaps Vincenzo de’Rossi and Simone Mosca).
\nThe marble Neptune was executed with his arms lowered: even so Ammannati did not sculpt it in a single block but several parts of marble joined together.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14349″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681917033277{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Jacques Callogt, Piazza della Signoria, 1617, Hessisches Landesmuseum, Darmstadt, detail<\/em><\/td>\nJacques Stella, etching, The Fountain of Neptune, 1621, detail, Uffizi<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_images_carousel images=”14352″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681917085541{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Anonymous, The Fountain of Neptune, early 17th century. Pitti Palace deposits, detail<\/em><\/td>\nAnonymous, drawing, view of Piazza Signoria, 17th century<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_images_carousel images=”14355″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681917130438{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Lasinio, engraving, view of Piazza Signoria, 17th century<\/em><\/td>\nGiuseppe Zocchi, Piazza della Signoria, first half of the 18th century<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Cosimo I wanted most of the basin and the marble decorations to be done with the \u201cMischio di Seravezza\u201d marble with violet inclusions, a quarry of his exclusive property and use.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14366″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681917380509{margin-top: -30px !important;}”]The bathtub in “Mischio marble” from Seravezza<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

Four bronze figures were placed at the four corners of the marble basin, two Satyrs and two Naiads (in reality they are Nereids, nymphs of the sea); and in fact Domenico Mellini (1566) speaks of Nereids, Raffaello Borghini (1584) writes that “the two females” were depicted for Thetis and for Doris.
\nIn fact, Thetis has a shield as her attribute, with reference to her gift that she gave to her son Achilles. The attributes of the other Nereid (Doris), in addition to the dolphin, a buccina and a queen’s diadem, identify her as Amphitrite, wife of Neptune and therefore queen of the sea.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14372″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681922299350{margin-top: -30px !important;}”]The fountain of Neptune, Piazza della Signoria, Firenze<\/em>[\/vc_column_text][vc_images_carousel images=”14375″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681922334694{margin-top: -30px !important;}”]Attic black-figure hydria, Thetis giving Achilles the shield made by Hephaestus, 575-550 BC, Louvre<\/em>[\/vc_column_text][vc_images_carousel images=”14378″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681922358237{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Thetis<\/em><\/td>\nDoris<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

They are mannerist reworkings of the two marine deities whose proportions seem to draw inspiration from the school of Fontanebleau, of which many engravings were widespread at the time of Ammannati: in particular, the famous shield of Achilles described by Homer in the Iliad is wholly symbolic, in fact it presents a battle generic in bas-relief conducted with rapid style, of great spontaneity and in some places just mentioned.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14386″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681978518282{margin-top: -30px !important;}”]Drawing of Achilles’ shield according to Homer’s description (Iliad, XVIII, 478-608)<\/em>[\/vc_column_text][vc_images_carousel images=”14389″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681978562444{margin-top: -30px !important;}”]<\/p>\n\n\n\n
Thetis with shield<\/em><\/td>\nThetis, detail of the shield<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]<\/p>\n

If in the past the execution of the two Nereids, later renamed “Naiads”, had been attributed to various mannerist sculptors, and in particular to Giambologna, critics have long since attributed them to Ammannati, as well as the two Satyrs.<\/p>\n

[\/vc_column_text][vc_custom_heading text=”The replicas of the Ferdinando Marinelli Artistic Foundry” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n

For Hitler’s visit to Florence in 1938, cleaning and restoration interventions were ordered, in particular of the bronzes present in Piazza Signoria, followed by podest\u00e0 Paolo Venerosi Pesciolini and cared for by the municipal architect Alfredo Lenzi. They were thus cleaned up by Ferdinando Marinelli Sr., founder of the homonymous Artistic Foundry; on that occasion Marinelli asked and obtained permission to make negative moulds directly on the originals.
\nThose moulds then passed to his nephew Ferdinando Marinelli Jr. thanks to whom the identical copies of Ammannati’s “Naiads” exhibited in the Bazzanti Gallery on Lungarno Corsini were made.<\/p>\n

[\/vc_column_text][vc_images_carousel images=”14399″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681978811021{margin-top: -30px !important;}”]Hitler’s visit to Florence, Piazza S. Croce<\/em>[\/vc_column_text][vc_images_carousel images=”14402″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681978832860{margin-top: -30px !important;}”]Hitler’s visit to Florence, Piazza Signoria<\/em>[\/vc_column_text][vc_images_carousel images=”14405″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1681978859836{margin-top: -30px !important;}”]Replica of the two Naiads cast by the Ferdinando Marinelli Artistic Foundry, on sale at the Bazzanti Gallery in Florence<\/em>[\/vc_column_text][vc_column_text css=”.vc_custom_1681979049515{margin-top: -30px !important;}”]Catalogue: Naiad with shield<\/a> – Naiad with horn of plenty<\/a><\/em>[\/vc_column_text][vc_empty_space][vc_btn title=”ALL NEWS” style=”outline” shape=”square” color=”primary” align=”center” link=”url:https%3A%2F%2Fwww.galleriabazzanti.it%2Fen%2Fnews-magazine%2F”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row” css=”.vc_custom_1681286261464{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2023\/04\/blog-naiadi-sfondo00.jpg?id=14321) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”The Fountain of Neptune in Piazza Signoria and the bronze “Naiads“” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_empty_space][vc_column_text] Duke Cosimo I had commissioned the construction of the Biancone fountain at the north-east corner of Palazzo Vecchio, so that the central figure of Neptune would be in line with the […]<\/p>\n","protected":false},"author":1,"featured_media":14366,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-articolo.php","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-14414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-en"],"acf":[],"yoast_head":"\nThe Fountain of Neptune and the Naiads- Bazzanti Art Gallery<\/title>\n<meta name=\"description\" content=\"The bronze sculptures called Naiads and the history of the Fountain of Neptune in Piazza della Signoria in Florence to which they belong.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galleriabazzanti.it\/en\/neptune-fountain-piazza-signoria-bronze-naiads\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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