{"id":16725,"date":"2025-01-21T17:30:46","date_gmt":"2025-01-21T16:30:46","guid":{"rendered":"https:\/\/www.galleriabazzanti.it\/monumento-alla-vittoria-forli\/"},"modified":"2025-01-24T17:33:01","modified_gmt":"2025-01-24T16:33:01","slug":"monumento-alla-vittoria-forli","status":"publish","type":"post","link":"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/","title":{"rendered":"Monument to Victory"},"content":{"rendered":"

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In 1925, a national competition was announced for the construction of a \u201cMonument to Victory<\/strong>\u201d in Forl\u00ec, to be inaugurated on October 30, 1932, the tenth anniversary of the \u201cfascist revolution\u201d.<\/p>\n

The competition was won by a figure favored by the regime, the architect and engineer Cesare Bazzani, who wanted to create a monument that, compared to the others, had the particularity of being able to have two main sides on which to host ceremonies, one facing the public garden and the other facing the station; this characteristic was also underlined by Mussolini in the inauguration speech he gave from the balcony of the Government Palace in Piazza Saffi, saying of the monument \u201c\u2026on one side pity for the fallen, on the other the proud exaltation of victory\u2026\u201d, for which the entire work was also called Monument to the Fallen<\/strong>.<\/p>\n

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Architect Cesare Bazzani<\/p>\n

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Bazzani designed an important composite architectural structure completely covered in Trani marble, 32 meters high in total: a raised base with rounded shorter sides, on which three elements stand: in the center a 22-meter high Doric column whose base contains a small chapel which is entered through an iron door: from the ceiling of the chapel you can access the spiral staircase contained inside the column, which reaches the top of this; the staircase is lit by two small openings on the column itself. On the sides two parallelepipeds decorated with two bas-reliefs each, made by Bernardino Boifava, which depict the fundamental moments in the life of the heroes, that is, the attack, the defense, the sacrifice and the triumph, and on the sides that look towards the square, a fountain with a modern representing the sacrifice of Victory.<\/p>\n

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Monument to Victory<\/p>\n

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Victory Monument, base part<\/p>\n

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Victory Monument<\/td>\nView from the early 1930s<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Preparation for the inauguration of Mussolini, Bas-relief sculpture on one of the two parallelepipeds<\/td>\nBas-relief sculpture on one of the two parallelepipeds<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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One of the two side fountains<\/td>\nMask of a fountain<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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At the top, the column capital hosts a decorated round base on which is placed an important bronze sculptural group of three winged female figures representing the sky, the earth and the sea. The model was made by the sculptor Bernardo Morescalchi<\/a> who entrusted the casting to the Fonderia Artistica Ferdinando Marinelli of Florence. Marescalchi had previously worked with the Fonderia Artistica Marinelli for the casting of large-scale works, such as the Horses of Forl\u00ec.<\/p>\n

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The two small windows for the internal staircase<\/td>\nLuciferous window on the top of the column<\/td>\nBronze of the Victory Monument<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Bronze of the Victory Monument<\/td>\nBronze of the Victory Monument<\/td>\nBronze of the Victory Monument, detail<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Victory Monument, detail<\/td>\nSignature of the Marinelli Artistic Foundry of Florence on the base of the bronzes<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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The Victory Monument in the Marinelli Foundry in Florence awaiting packing<\/p>\n

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One of the two Horses modelled by Morescalchi and cast by the Ferdinando Marinelli Foundry of Florence<\/td>\nOne of the two Horses modelled by Morescalchi and cast by the Ferdinando Marinelli Foundry of Florence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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In October 1932 Mussolini officially inaugurated the monument with a grand ceremony and a speech from the balcony of the Government Palace.
\nLater, in June 1938, King Vittorio Emanuele III, visiting Forl\u00ec, stopped at the foot of the monument and laid a wreath.<\/p>\n

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Mussolini’s visit for the inauguration of the monument<\/td>\nMussolini visits the Victory Monument construction sites<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Mussolini’s visit for the inauguration of the monument<\/p>\n

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Mussolini’s speech from the terrace of the Government Palace in Forl\u00ec<\/p>\n

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Searching in the archives of the Fonderia Artistica Ferdinando Marinelli, a letter appeared, dated April 28, 1923, following the inauguration of the Monument that the Foundry wrote to the Podest\u00e0 of Forl\u00ec, in which payment was requested for “the letters for the monument la Vittoria”, for which it was still a creditor. These are the letters of the inscription applied at the top under the capital of the base of the bronzes.<\/p>\n

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Letter from the Ferdinando Marinelli Foundry<\/p>\n

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In the year 2024, the Municipality of Forl\u00ec has planned an inspection to monitor its \u201chealth\u201d, followed by the Studio Tecnico Nerodichina of Forl\u00ec with the architect Giancarlo Gatta. The Winged Victories presented cracks and breaks; but the most peculiar thing was a series of holes that at first left scholars in doubt and only after a conversation between the architect Gatta and Ferdinando Marinelli Jr. manager of the Ferdinando Marinelli Artistic Foundry was it understood that they were due to bullets from the last war.<\/p>\n

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The inscription in bronze letters under the capital of the column, detail<\/p>\n

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The inscription in bronze letters under the capital of the column<\/p>\n

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Monument Inspection 2024<\/p>\n<\/td>\n

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Monument Inspection 2024<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Bullet holes<\/p>\n<\/td>\n

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Bullet holes<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Bullet holes<\/p>\n<\/td>\n

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Bullet holes<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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[vc_row full_width=”stretch_row” css=”.vc_custom_1736500033969{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2025\/01\/blog-monumento-vittoria-forli-00-sfondo.jpg?id=16593) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”Victory Monument” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_empty_space][vc_column_text] In 1925, a national competition was announced for the construction of a \u201cMonument to Victory\u201d in Forl\u00ec, to be inaugurated on October 30, 1932, the tenth anniversary of the \u201cfascist revolution\u201d. The competition was won by a figure favored by the […]<\/p>\n","protected":false},"author":1,"featured_media":16602,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-articolo.php","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[33],"tags":[],"acf":[],"yoast_head":"\nMonument to Victory - Bazzanti Art Gallery Florence<\/title>\n<meta name=\"description\" content=\"The Monument to Victory of Forl\u00ec or Monument to the Fallen is a sculptural work by Bernardo Morescalchi and cast by the Marinelli Foundry\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Monument to Victory - Bazzanti Art Gallery Florence\" \/>\n<meta property=\"og:description\" content=\"The Monument to Victory of Forl\u00ec or Monument to the Fallen is a sculptural work by Bernardo Morescalchi and cast by the Marinelli Foundry\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\" \/>\n<meta property=\"og:site_name\" content=\"Bazzanti Art Gallery Florence\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-21T16:30:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-24T16:33:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2025\/01\/blog-monumento-vittoria-forli-02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1140\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"galleriabazzanti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"galleriabazzanti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\"},\"author\":{\"name\":\"galleriabazzanti\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d\"},\"headline\":\"Monument to Victory\",\"datePublished\":\"2025-01-21T16:30:46+00:00\",\"dateModified\":\"2025-01-24T16:33:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\"},\"wordCount\":1481,\"publisher\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#organization\"},\"articleSection\":[\"Senza categoria @en\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\",\"url\":\"https:\/\/www.galleriabazzanti.it\/en\/monumento-alla-vittoria-forli\/\",\"name\":\"Monument to Victory - 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