

{"id":18335,"date":"2026-03-12T16:56:12","date_gmt":"2026-03-12T15:56:12","guid":{"rendered":"https:\/\/www.galleriabazzanti.it\/le-due-porte-di-bronzo-del-duomo-di-troia\/"},"modified":"2026-03-31T09:29:03","modified_gmt":"2026-03-31T07:29:03","slug":"the-bronze-doors-of-troia-cathedral","status":"publish","type":"post","link":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/","title":{"rendered":"THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL"},"content":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1771512375441{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2026\/02\/blog-porta-duomo-troia-00-sfondo.jpg?id=18180) !important;}&#8221;][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_empty_space][vc_custom_heading text=&#8221;THE MAJOR GATE&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text]<\/p>\n<p align=\"justify\">Construction of the city&#8217;s new cathedral began in 1093, modifying and expanding the previous church of Santa Maria; by 1119, the church was completed and already had its important bronze Porta Maggiore, thanks also to the interest of Bishop William II, whose name appears in the inscription on the door itself. The sculptor and founder was <a href=\"https:\/\/it.wikipedia.org\/wiki\/Oderisio_da_Benevento\">Oderisio da Benevento<\/a>, who also created the one for Benevento Cathedral. [Photos 1, 2]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18187&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1771516923480{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">1<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">2<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">We are witnessing a transition from the technique of bronze <a href=\"https:\/\/www.galleriabazzanti.it\/en\/bronze-doors-italy-part-i\/\">Byzantine doors<\/a> to that of Western doors: Byzantine is the system of two wooden panels (each measuring 3.66 m and 1.1 m) covered with 28 bronze panels and 20 rectangular panels that form the border on three sides; they are all held together by a grid of eight horizontal and six vertical bars in the shape of knotted sticks, secured at the intersections by studs in the shape of four-petalled flowers.<\/p>\n<p align=\"justify\">There are registers of inlaid panels (the first upper register and the second-to-last at the bottom), but the design and inlaid technique is entirely Western: at the top are St. Peter and St. Paul, Christ in the mandorla, Bishop William II, Berard and Oderisius, all crudely imitating Byzantine inlaid work. [Photos 3, 4, 5]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18194&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1774373902813{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">3 &#8211; S. Peter and S. Paul<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18201&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1774373931262{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">4 &#8211; Christ in the almond<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">5 &#8211; Oderisio and Berardo<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">The third register also had similar inlaid decorations, but were replaced in 1691 with the coats of arms of Antonio di Sangro, Bishop of Troia, Cardinal Scipione Rebiba, and his nephew Prospero Rebiba.<br \/>\nThose in the penultimate register were replaced in 1573 with others featuring engravings of Saints Secundus, Anastasius, Pontianus, and Eleutherius, all placed on stepped bases. [Photo 6]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18211&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772007534890{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">6 &#8211; S. Anastasio<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">The second and fifth registers are occupied by openwork discs from which emerge high-relief heads of lions holding rings of great plastic strength, cast using the lost-wax method. [Photos 7,8,9,10,11,12]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18215&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772008159572{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">7<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18219&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772008622786{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">8<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18223&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772008791622{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">9<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18233&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772099424251{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">10<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">11<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18237&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772099839520{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">12<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">In the central register, two foliate crosses, slightly raised from the background, flank two high-relief dragons holding door knockers, also cast using the lost-wax process. The differences in each of these (including the foliate crosses) point to the direct casting of the sculptures, modeled directly in wax. [Photos 13, 14, 15]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18242&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772117957291{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">13<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">14<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18246&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772118583604{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">15<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">The panels of the lowest register contain a long inscription in capital letters in the centre of two parallel grooves (the last plate was replaced in 1573 with the inscription included in square brackets [Photo 16]):<\/p>\n<p align=\"justify\"><em>AN(N)O AB INCARNATIO(N)E \/ D(OMI)NI N(OST)RI IE(S)U CHR(IST)I MIL(LE)SIMO \/ CENTESIMO NONO DECIMO \/ INDICTIONE DUODECIMA \/\/ ANNO PONTIFICAT(US) D(OMI)NI \/ KALISTI P(A)P(E) SECUNDI P(RI)MO \/ ANN(O) DUCAT(US) W(ILLELMI) ROGERII \/ GLO(RIO)SI DUCIS FILII NONO \/\/ WILLELMUS SECUND(US) \/ HUI(US) TROIANE SEDIS EP(ISCOPU)S \/ EP(ISCO)PAT(US) SUI AN(N)O XII HAS \/ PORTAS FIERI FECIT \/\/ [ DE PROPRIO ECCL(ES)IAE \/ ERARIO. IPSAM QUOQ(UE) \/ FABRICA(M) A FU(N)DAME(N)TIS \/ FERE EREXIT. &#8211; \/ ET PROSPER EP(ISCOPU)S TROIAN(US) \/ ET P(AT)RIARCHA CO(N)STA(N)TINOP(OLITANU)S \/HAS PORTA PENE \/ COLLAPSAM INSTAURAVIT \/ M . D . L. XXIII ]<\/em><\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18251&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772120620685{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">16<\/p>\n<p>[\/vc_column_text][vc_custom_heading text=&#8221;THE MINOR GATE&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;titolo-articolo&#8221;][vc_column_text]<\/p>\n<p align=\"justify\">Nel 1127 lo stesso vescovo Guglielmo ordinava a Oderisio da Benevento due valve di bronzo per chiudere la porta minore destra della stessa chiesa, semplificata e di dimensioni minori rispetto alla prima. Anche in questa, nelle incisioni, nessun residuo della tradizione bizantina.[Foto 17,18]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18290&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1772813945131{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">17<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">18<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">The 24 panels are held in place by smooth or lightly engraved frames with geometric motifs and inscriptions. They are all covered with engravings except for the four in the intermediate register which house four lion heads holding rings on perforated discs. [Photos 19,20,21,22]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18296&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1773067837705{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">19<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">20<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18299&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1773068114148{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">21<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">22<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">In the first upper register, the left panel bears the engraved inscription<\/p>\n<p align=\"justify\"><em>PRINCEPS PATRONU(M) \/PETRE TROIA(M) SIUSCIPE \/ DONU(M) QUA(M) LETA \/ BUNDUS GUILIELM(US) \/ DONO SECUNDUS<\/em><\/p>\n<p align=\"justify\">In the other panels of the same register, Bishop William is engraved next to the TROIANA CIVITAS, St. Peter and St. Paul. [Photos 23,24]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18305&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1773068614122{margin-top: -30px !important;}&#8221;]<\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">23<\/p>\n<\/td>\n<td>\n<p style=\"text-align: center;\" align=\"justify\">24<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">In the second and third registers the bronze panels have engraved the eight figures of the Trojan bishops preceding William, with halo, crosier, two-horned mitres as were used in the 11th-12th century: Oriano, Angelo, Giovanni, Stefano, Gualtieri, Girardo, Uberto, William I.[Photo 25]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18311&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1773132838272{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">25<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p align=\"justify\">The panels of the two lowest registers feature a long engraved inscription in which the date 1127 appears. In the frame holding the panels under those with the lion heads, Oderisio&#8217;s signature:<\/p>\n<p align=\"justify\">FACTOR PORTARUM FUIT ODERISIUS HARUM BENEVENTANUS<br \/>\n[Foto 26]<\/p>\n<p>[\/vc_column_text][vc_images_carousel images=&#8221;18319&#8243; img_size=&#8221;post-slide&#8221; hide_pagination_control=&#8221;yes&#8221; hide_prev_next_buttons=&#8221;yes&#8221;][vc_column_text css=&#8221;.vc_custom_1773305006090{margin-top: -30px !important;}&#8221;]<\/p>\n<p style=\"text-align: center;\" align=\"justify\">26<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_btn title=&#8221;ALL NEWS&#8221; style=&#8221;outline&#8221; shape=&#8221;square&#8221; color=&#8221;primary&#8221; align=&#8221;center&#8221; link=&#8221;url:https%3A%2F%2Fwww.galleriabazzanti.it%2Fen%2Fnews-magazine%2F&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1771512375441{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2026\/02\/blog-porta-duomo-troia-00-sfondo.jpg?id=18180) !important;}&#8221;][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL&#8221; font_container=&#8221;tag:h1|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_empty_space][vc_custom_heading text=&#8221;THE MAJOR GATE&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_column_text] Construction of the city&#8217;s new cathedral began in 1093, modifying and expanding the previous church of Santa Maria; by 1119, the church was completed and already had its important bronze Porta [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-articolo.php","format":"standard","meta":{"footnotes":""},"categories":[522,642],"tags":[],"class_list":["post-18335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-announcements-en","category-post-formats-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti<\/title>\n<meta name=\"description\" content=\"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti\" \/>\n<meta property=\"og:description\" content=\"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\" \/>\n<meta property=\"og:site_name\" content=\"Bazzanti Art Gallery Florence\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-12T15:56:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-31T07:29:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2026\/02\/blog-porta-duomo-troia-13.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1140\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"galleriabazzanti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"galleriabazzanti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\"},\"author\":{\"name\":\"galleriabazzanti\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d\"},\"headline\":\"THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL\",\"datePublished\":\"2026-03-12T15:56:12+00:00\",\"dateModified\":\"2026-03-31T07:29:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\"},\"wordCount\":1452,\"publisher\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#organization\"},\"articleSection\":[\"News &amp; Announcements\",\"Post Formats\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\",\"url\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\",\"name\":\"THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti\",\"isPartOf\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#website\"},\"datePublished\":\"2026-03-12T15:56:12+00:00\",\"dateModified\":\"2026-03-31T07:29:03+00:00\",\"description\":\"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.galleriabazzanti.it\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#website\",\"url\":\"https:\/\/www.galleriabazzanti.it\/\",\"name\":\"Bazzanti Art Gallery Florence\",\"description\":\"Bronze and Marble Sculptures\",\"publisher\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.galleriabazzanti.it\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#organization\",\"name\":\"Galleria d'Arte Pietro Bazzanti & figlio\",\"url\":\"https:\/\/www.galleriabazzanti.it\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2014\/10\/LOGO_BAZZANTI1.png\",\"contentUrl\":\"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2014\/10\/LOGO_BAZZANTI1.png\",\"width\":500,\"height\":183,\"caption\":\"Galleria d'Arte Pietro Bazzanti & figlio\"},\"image\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d\",\"name\":\"galleriabazzanti\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/695a66eead3e30cc46a3457c5605721cfeb175f2f14ed90e2a2cade96709e95f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/695a66eead3e30cc46a3457c5605721cfeb175f2f14ed90e2a2cade96709e95f?s=96&d=mm&r=g\",\"caption\":\"galleriabazzanti\"},\"url\":\"https:\/\/www.galleriabazzanti.it\/en\/author\/galleriabazzanti\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti","description":"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/","og_locale":"en_US","og_type":"article","og_title":"THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti","og_description":"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.","og_url":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/","og_site_name":"Bazzanti Art Gallery Florence","article_published_time":"2026-03-12T15:56:12+00:00","article_modified_time":"2026-03-31T07:29:03+00:00","og_image":[{"width":1140,"height":500,"url":"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2026\/02\/blog-porta-duomo-troia-13.jpg","type":"image\/jpeg"}],"author":"galleriabazzanti","twitter_card":"summary_large_image","twitter_misc":{"Written by":"galleriabazzanti","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#article","isPartOf":{"@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/"},"author":{"name":"galleriabazzanti","@id":"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d"},"headline":"THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL","datePublished":"2026-03-12T15:56:12+00:00","dateModified":"2026-03-31T07:29:03+00:00","mainEntityOfPage":{"@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/"},"wordCount":1452,"publisher":{"@id":"https:\/\/www.galleriabazzanti.it\/#organization"},"articleSection":["News &amp; Announcements","Post Formats"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/","url":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/","name":"THE BRONZE DOORS OF TROIA CATHEDRAL - Bazzanti","isPartOf":{"@id":"https:\/\/www.galleriabazzanti.it\/#website"},"datePublished":"2026-03-12T15:56:12+00:00","dateModified":"2026-03-31T07:29:03+00:00","description":"The bronze doors of the Cathedral of Troia in the province of Foggia are masterpieces of Italian Romanesque art by Oderisio da Benevento.","breadcrumb":{"@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.galleriabazzanti.it\/en\/the-bronze-doors-of-troia-cathedral\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.galleriabazzanti.it\/en\/"},{"@type":"ListItem","position":2,"name":"THE TWO BRONZE DOORS OF THE TROIA CATHEDRAL"}]},{"@type":"WebSite","@id":"https:\/\/www.galleriabazzanti.it\/#website","url":"https:\/\/www.galleriabazzanti.it\/","name":"Bazzanti Art Gallery Florence","description":"Bronze and Marble Sculptures","publisher":{"@id":"https:\/\/www.galleriabazzanti.it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.galleriabazzanti.it\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.galleriabazzanti.it\/#organization","name":"Galleria d'Arte Pietro Bazzanti & figlio","url":"https:\/\/www.galleriabazzanti.it\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.galleriabazzanti.it\/#\/schema\/logo\/image\/","url":"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2014\/10\/LOGO_BAZZANTI1.png","contentUrl":"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2014\/10\/LOGO_BAZZANTI1.png","width":500,"height":183,"caption":"Galleria d'Arte Pietro Bazzanti & figlio"},"image":{"@id":"https:\/\/www.galleriabazzanti.it\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d","name":"galleriabazzanti","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/695a66eead3e30cc46a3457c5605721cfeb175f2f14ed90e2a2cade96709e95f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/695a66eead3e30cc46a3457c5605721cfeb175f2f14ed90e2a2cade96709e95f?s=96&d=mm&r=g","caption":"galleriabazzanti"},"url":"https:\/\/www.galleriabazzanti.it\/en\/author\/galleriabazzanti\/"}]}},"_links":{"self":[{"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/posts\/18335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/comments?post=18335"}],"version-history":[{"count":4,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/posts\/18335\/revisions"}],"predecessor-version":[{"id":18348,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/posts\/18335\/revisions\/18348"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/media\/18252"}],"wp:attachment":[{"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/media?parent=18335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/categories?post=18335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galleriabazzanti.it\/en\/wp-json\/wp\/v2\/tags?post=18335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}