{"id":3819,"date":"2015-07-17T17:06:52","date_gmt":"2015-07-17T15:06:52","guid":{"rendered":"http:\/\/www.galleriabazzanti.it\/cartoline-postali-2\/"},"modified":"2017-08-23T11:45:38","modified_gmt":"2017-08-23T09:45:38","slug":"cartoline-postali","status":"publish","type":"post","link":"https:\/\/www.galleriabazzanti.it\/en\/cartoline-postali\/","title":{"rendered":"Postcards and Vintage Pictures"},"content":{"rendered":"
[vc_row][vc_column][vc_column_text]<\/p>\n
A selection\u00a0of pictures and postcards with images of works by\u00a0the Art Gallery Peter Bazzanti and Son and the Ferdinando Marinelli Artistic Foundry of Florence concerning Cart of the Pioneers<\/em>, the Monumental Staircase in the Vatican<\/em>, the Holy Door of St. Peter’s Basilica<\/em>, The Porcellino<\/em> in Florence, statues and fountains for the Casino of Las Vegas Strip<\/em>, the Fountain of the Broncos, a<\/em><\/em>s well as an overview of the Gallery and the Lungarno Corsini <\/em><\/em><\/em>from ‘800 until recent times.<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_tabs][vc_tab title=”Vintage Postcards” tab_id=”1503479701899-9-4″][vc_single_image image=”4779″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4791″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4776″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4782″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4785″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4788″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4794″ img_size=”907×700″ alignment=”center”][vc_single_image image=”4797″ img_size=”907×700″ alignment=”center”][\/vc_tab][vc_tab title=”The Lungarno Corsini” tab_id=”1437039883-1-36″][vc_column_text]<\/p>\n Bazzanti Gallery and Lungarno Corsini on vintage postcards:<\/p>\n [\/vc_column_text][vc_single_image image=”3896″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n 1869 – The sculpture studio of Bazzanti Brothers at Palazzo Corsini, before the transformation into an art Gallery<\/p>\n [\/vc_column_text][vc_column_text] 1875 \u2013 The Bazzanti Gallery with its four shop windows in front of the Lungarno. The first three<\/span> awnings are<\/span> united<\/span>, it’s possible to distinguish\u00a0<\/span>the Bazzanti inscription on the side<\/span>.<\/span><\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3600″ img_size=”907×700″ alignment=”center”][vc_column_text]<\/p>\n 1890 – The awnings are painted with a large inscription ‘Pietro Bazzanti e F.’<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3591″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n 1903 \u2013 A squad of<\/span> soldiers<\/span> pass nearby the<\/span> Gallery<\/span><\/span>.<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3594″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n Early \u2018900 \u2013 The white awnings have been simplified.<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3597″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n Early \u2018900 – On the far left, the Gallery’s awnings.<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3603″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n Undated \u2013 The Gallery’s awning is the only one of the Lungarno Corsini.<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3606″ img_size=”907×640″ alignment=”center”][vc_column_text]<\/p>\n 1928 \u2013 The four awnings are now separated.<\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3763″ img_size=”640×907″ alignment=”center”][vc_column_text]<\/p>\n Undated \u2013 The windows<\/span> of the<\/span> gallery<\/span> are clearly visible<\/span>, with<\/span> some<\/span> marble sculptures inside<\/span>. The stamp<\/span> in<\/span> violet<\/span> is<\/span> coeval<\/span>.<\/span><\/span><\/p>\n .<\/span>[\/vc_column_text][vc_single_image image=”3805″ img_size=”907×650″ alignment=”center”][vc_column_text]<\/p>\n Flood of 1966 – Some days after the water subsided<\/p>\n [\/vc_column_text][\/vc_tab][vc_tab title=”The Pioneers Cart” tab_id=”1437057342894-2-10″][vc_column_text]<\/p>\n The postcards are from photographs taken shortly after the installation of the monument of Jose Belloni in Montevideo (Uruguay) in 1930, melted by the Ferdinando Marinelli Artistic Foundry in Florence.<\/p>\n See also <\/a><\/p>\n [\/vc_column_text][vc_single_image image=”3617″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3620″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3623″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3626″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3629″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3632″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3798″ img_size=”907×640″ alignment=”center”][\/vc_tab][vc_tab title=”Vatican Museum Stairs” tab_id=”1437039883-2-1″][vc_column_text]<\/p>\n Le cartoline postali hanno l\u2019immagine dello scalone monumentale fuso e montato nel 1932 dalla Fonderia Artistica Ferdinando Marinelli di Firenze all\u2019ingresso del Museo Vaticano, poco prima dell\u2019inaugurazione.<\/p>\n Vedi anche <\/a><\/p>\n [\/vc_column_text][vc_single_image image=”3580″ img_size=”907×640″ alignment=”center”][vc_single_image image=”3584″ img_size=”640×907″ alignment=”center”][\/vc_tab][vc_tab title=”Chimeras of Arezzo” tab_id=”1444313590989-7-6″][vc_column_text]<\/p>\n Postcards of the two bronze Chimeras of Piazza della Stazione in Arezzo, cast by Fonderia Artistica Ferdinando Marinelli of Florence.<\/p>\n See also<\/a><\/p>\n [\/vc_column_text][vc_single_image image=”4095″ img_size=”907×640″ alignment=”center”][vc_single_image image=”4098″ img_size=”907×640″ alignment=”center”][vc_single_image image=”4101″ img_size=”907×640″ alignment=”center”][\/vc_tab][vc_tab title=”Siena Cathedral” tab_id=”1464187352830-8-10″][vc_column_text]<\/p>\n As a sign of gratitude for the liberation of the city from the Germans, Count Chigi Saracini of Siena asked the Sienese sculptor Vico Consorti<\/a> to create the so-called Gate of Gratitude for the Duomo of Siena<\/a>. It was cast by the Fonderia Marinelli<\/a>.<\/p>\n See also<\/a>[\/vc_column_text][vc_single_image image=”4547″ img_size=”640×907″ alignment=”center”][\/vc_tab][vc_tab title=”The Holy Door” tab_id=”1437060954157-3-6″][vc_column_text]<\/p>\n La cartolina postale \u00e8 stata stampata per la Porta Santa della Cattedrale di San Pietro in Vaticano fusa in bronzo dalla Fonderia Artistica Ferdinando Marinelli di Firenze nel 1950. Ha sostituito la precedente in legno. Viene aperta dal Papa solo in occasione dei Giubilei.<\/p>\n
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