Sofia<\/em> of 120 tons.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6101″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562598595861{margin-top: -20px !important;}”]Sidney in 1861[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
But the presence of Italians in Australia dates back to the early decades of the 1800s thanks to the regular arrival of ships carrying various types of goods, mainly due to the almost total lack of local producers. Every arrival was eagerly awaited, to also have news from the rest of the world, given that the first Australian telegraphic line dates back to 1872. From 1816 the sale of Italian decorative elements in iron was advertised in the newspapers; were imported from Italy, and sold to local ladies, fabrics, silk scarves, cloaks; some goods were also purchased in Italy by the British, and resold in Australia. Straw hats, buttons from Florence, etc. were imported from Italy. And in particular Italian marbles, sculptures in Carrara marble and alabaster, mosaics, replicas of Roman sculptures from Pompeii, Etruscan and Renaissance.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6157″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562598779879{margin-top: -20px !important;}”]Melbourne’s port in 1878[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”1879 Sidney International Exhibition ” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The Italian Government was not interested in Italy’s participation in the exhibition, so much so that it even denied the sending of an official representative to the inauguration. He also refused any economic support to the Italian producers who participated. It was only the Chamber of Commerce of Florence <\/strong> that supported the group of producers and merchants who decided to send their goods.
\nMen and materials embarked in the ports of Livorno and Naples on the Ben Vorlich ship of 1504 tons, which landed in Sydney on 2 August 1879.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6110″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562598876293{margin-top: -20px !important;}”]The Ben Vorlich[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6113″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
A neoclassical Victorian-style building with a dome, the Garden Palace, was built specifically for the Exhibition, in which the Italian pavilions measured around 1,000 square meters.
\nThe newspapers (the South Australian Chronicle and Weekly Mail, the Telegraph and Shoalhaven Advertiser) wrote that the main attraction were the sculptures <\/strong> in Carrara marble <\/strong> of the Studio Bazzanti <\/strong> from Florence <\/strong>, beautiful replicas <\/strong> of classical statues <\/strong>.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6154″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562599234422{margin-top: -20px !important;}”]Palace of the Universal Exposition in Sydney[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6122″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562599255623{margin-top: -20px !important;}”]A stand of Italian products[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
On September 22, 1882, while in Florence the Bazzanti Sculpture Studio was by the owners Pietro and Niccol\u00f2 set up partly as a sculpture sales gallery, in Sydney a huge fire completely destroyed the Garden Palace in less than an hour with all its contents .<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6125″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562599338924{margin-top: -20px !important;}”]After the fire of 1882[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”1880 Melbourne International Exhibition ” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
Also for the subsequent Sydney International Exhibition the Italian Government took no interest in it. The reins were taken in hand by the Venetian firm Olivieri and Sarfatti who became the Italian exhibitor agency and took charge of collecting goods in Italy, packing and transporting them to Melbourne, organizing and positioning goods in Melbourne, and shipping them back to Italy at the end of the exhibition.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6131,6128″ img_size=”post-slide”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The “Royal Transport Europe”<\/em> ship of 680 tons commissioned by the King of Italy for the shipping of Italian goods at the Exhibition, sailed from Venice on 12 June and arrived in Melbourne on 6 September 1880. It made a stopover in Brindisi, Port Said, Aden, Ceylon , Singapore, Java, Albany.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6189″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1559812699948{margin-top: -20px !important;}”]Reale Trasporto Europa[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
Italy had an excellent position in the Melbourne Exhibition Building, with corner salons on the ground floor; in total around 50,000 square meters.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6137″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1559812854257{margin-top: -20px !important;}”]Melbourne Exhibition Building[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The Bazzanti Gallery exhibited 6 marble sculptures, including the so-called “Michelangelo Giovane”. It was very successful.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6197,6192″ img_size=”post-slide”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
It was thanks to this exhibition that 24 years later, in 1904, the sale of a series of replicas of marble classics began between the Pietro Bazzanti Gallery and Son and the so-called Felton Bequest, that is, the Bequest legacy with whose funds were purchased museums for the National Gallery of Victoria.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_images_carousel images=”6143″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text css=”.vc_custom_1562599676139{margin-top: -20px !important;}”]1904 letter from the Pietro Bazzanti Gallery & Son at Bequest Legacy[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”]<\/p>\n
Since the early 1900s, relations with Australian customers have continued to this day; we particularly like to remember the bronze replica of the Porcellino by Tacca that the Marchesa Fiaschi Torrigiani bought in 1969 from the Bazzanti Gallery to donate it to the Sydney Hospital, and a second bronze boar that in 2007 reached the city of Mandurah not far from Perth.<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”ALL NEWS” style=”outline” shape=”square” color=”primary” align=”center” link=”url:https%3A%2F%2Fwww.galleriabazzanti.it%2Fen%2Fnews-magazine%2F|||”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” css=”.vc_custom_1559744934388{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2019\/06\/blog-esposizione-melbourne0-sfondo.jpg?id=6159) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”Pietro Bazzanti’s participation in International Exhibitions in Australia” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_empty_space][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_column_text el_class=”corsivo-blu”] The first documents relating to the arrival in Sydney of Italian ships date back to the mid-800s: in late August 1852, the Italian 150-ton brigantine called Rosa arrived in Sydney; from 1853 […]<\/p>\n","protected":false},"author":1,"featured_media":6160,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-articolo.php","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[33],"tags":[],"acf":[],"yoast_head":"\n
Bazzanti in Australia - Bazzanti Art Gallery Florence<\/title>\n<meta name=\"description\" content=\"La storia delle Esposizioni Internazionali di Sydney e Melbourne di fine '800 alle quali partecip\u00f2 anche la Galleria Bazzanti di Firenze con le sue repliche\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bazzanti in Australia - Bazzanti Art Gallery Florence\" \/>\n<meta property=\"og:description\" content=\"La storia delle Esposizioni Internazionali di Sydney e Melbourne di fine '800 alle quali partecip\u00f2 anche la Galleria Bazzanti di Firenze con le sue repliche\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\" \/>\n<meta property=\"og:site_name\" content=\"Bazzanti Art Gallery Florence\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-06T13:51:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-15T14:27:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2019\/06\/blog-esposizione-melbourne0-sfondo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"788\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"galleriabazzanti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"galleriabazzanti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\"},\"author\":{\"name\":\"galleriabazzanti\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/#\/schema\/person\/f8cf52bd1ae440b71301bc79b6affd5d\"},\"headline\":\"Pietro Bazzanti’s participation in International Exhibitions in Australia\",\"datePublished\":\"2019-06-06T13:51:22+00:00\",\"dateModified\":\"2019-07-15T14:27:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\"},\"wordCount\":1456,\"publisher\":{\"@id\":\"https:\/\/www.galleriabazzanti.it\/#organization\"},\"articleSection\":[\"Senza categoria @en\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\",\"url\":\"https:\/\/www.galleriabazzanti.it\/en\/partecipazione-studio-bazzanti-esposizioni-australia\/\",\"name\":\"Bazzanti in Australia - 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