Galleria Bazzanti<\/a><\/strong>.
\nWe had to create, from approximate drawings, all the models of the sculptures, the giant chandeliers and appliques, and a marble fireplace, and then make them in bronze and marble. It was a complex but fascinating adventure, which put a strain on all the Florentine artisans who contributed to the splendid restoration.<\/p>\n[\/vc_column_text][vc_images_carousel images=”6693,6696,6699,6704,6707,6710,6713,6716,6719,6722,6725″ img_size=”post-slide”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The work went on among many difficulties, the drawings provided by the Russian military were approximate, some even unattainable, and the commissions that visited Italy were always different each with their own ideas and requests. What had to be a restoration turned out to be a real reconstruction from scratch.
\nAmong the many models that have ordered us we remember the Bicept Eagle and the Saint Andrew\u2019s Cross, which have replaced the bas-reliefs with scythe and hammer. The gilded bronze bases of the gigantic pillars were also made.<\/p>\n
[\/vc_column_text][vc_images_carousel images=”6729,6732″ img_size=”post-slide”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The huge chandeliers that we had to create from the drawings were in three overlapping circles with hundreds of lights and decorations,<\/p>\n
[\/vc_column_text][vc_images_carousel images=”6738,6741″ img_size=”post-slide”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
the wall appliques are also gigantic,<\/p>\n
[\/vc_column_text][vc_images_carousel images=”6744,6747″ img_size=”post-slide”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
the fireplace particularly elaborate.<\/p>\n
[\/vc_column_text][vc_images_carousel images=”6750,6753″ img_size=”post-slide”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The assembly was long but the result was magnificent.<\/p>\n
[\/vc_column_text][vc_images_carousel images=”6758,6761,6764,6767,6770″ img_size=”post-slide”][\/vc_column][\/vc_row][vc_row][vc_column][vc_btn title=”ALL NEWS” style=”outline” shape=”square” color=”primary” align=”center” link=”url:https%3A%2F%2Fwww.galleriabazzanti.it%2Fen%2Fnews-magazine%2F|||”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row full_width=”stretch_row” css=”.vc_custom_1566221663347{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2019\/08\/blog-cremlino-sfondo-00.jpg?id=6683) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”The restoration of the Kremlin” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes” el_class=”titolo-articolo”][vc_empty_space][vc_column_text el_class=”corsivo-blu”] In 1933 Stalin transformed two wonderful halls of the Kremlin festivals, the halls of Sant’Andrea and Sant’Alessandro, in a large room for the meetings of the CPSU, destroying the original furnishings and the sumptuous decorations. When […]<\/p>\n","protected":false},"author":1,"featured_media":6684,"comment_status":"closed","ping_status":"open","sticky":false,"template":"single-articolo.php","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-6777","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-en"],"acf":[],"yoast_head":"\n
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