{"id":9355,"date":"2020-11-13T18:09:03","date_gmt":"2020-11-13T17:09:03","guid":{"rendered":"https:\/\/www.galleriabazzanti.it\/san-matteo-ghiberti\/"},"modified":"2020-11-18T15:47:07","modified_gmt":"2020-11-18T14:47:07","slug":"san-matteo-ghiberti","status":"publish","type":"post","link":"https:\/\/www.galleriabazzanti.it\/en\/san-matteo-ghiberti\/","title":{"rendered":"Ghiberti’s St. Matthew"},"content":{"rendered":"
[vc_row full_width=”stretch_row” css=”.vc_custom_1603444090902{padding-top: 300px !important;padding-bottom: 300px !important;background-image: url(https:\/\/www.galleriabazzanti.it\/wp-content\/uploads\/2020\/10\/blog-san-matteo-ghiberti-sfondo-00-1.jpg?id=9151) !important;}”][vc_column][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”Ghiberti’s St. Matthew” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”The loss and recovery of lost wax casting ” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_empty_space][vc_column_text el_class=”corsivo-blu”]<\/p>\n
The bronze casting<\/strong> with the lost wax technique<\/strong> was lost with the fall of the Roman Empire, so much so that in the Middle Ages the sculpture<\/strong> was made exclusively in marble<\/strong> and stone, and the rare bronze<\/strong> doors were cast in Constantinople, where the Byzantines had retained, in part, the knowledge of this technique. [\/vc_column_text][vc_images_carousel images=”9166″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_custom_heading text=”A Renaissance lost wax casting, problematic and difficult” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text el_class=”corsivo-blu”]<\/p>\n The church of Orsanmichele in Florence is dotted outside, in the lower part, with splendid niches in which large bronze and marble sculptures have been placed, each sponsored by one of the 14 Florentine \u201cArts\u201d. Recently they have all been replaced by replicas and the originals are kept inside the second floor of the building, that is, in the Orsanmichele Museum<\/p>\n [\/vc_column_text][vc_images_carousel images=”9171″ img_size=”post-slide” hide_pagination_control=”yes” hide_prev_next_buttons=”yes”][vc_column_text el_class=”corsivo-blu”]<\/p>\n
\nThey were the first Florentine Renaissance<\/strong> artists to re-experiment the lost wax casting technique<\/strong>, helped at the beginning by Byzantine and Venetian artisans. And the first castings, even if of small and bas-relief pieces, came out with various defects, as can be seen in the panels of the Ghiberti’s Gates of Paradise, in which recast was carried out to repair lacks and gaps<\/p>\n